Calling people r-slur cute twink peepee-lickers is funny. Never forget what they took from you. Also a goth/metalhead Amy Sedaris type would be my ultimate waifu. I know you have to be out there, where are you?

Not that SNL isnt known for joke theft

Also Familyman did it first too

!familyman

https://movieweb.com/babes-pamela-adlon-interview/

!chuds which one of you made this film

A scene so awkward and stupidly written that it created an entire ecosystem of memes. https://t.co/J40TDwdFzw

— Leman Walters (@LemanWalters) May 13, 2024

!kino

https://twitter.com/britpopforali/status/1790007485337604480

https://twitter.com/SquishyMrMallow/status/1790010049328185849

https://twitter.com/InnerDelicious/status/1790023688093352279

https://twitter.com/rannyg/status/1790012305381487066

https://twitter.com/BrianEpshteyn/status/1790002796927861215

https://twitter.com/AxelAswell/status/1790009431876423740

https://twitter.com/munzacore90/status/1790022854647468210

https://twitter.com/MKQUANFUSION/status/1790010888503575012

https://twitter.com/C2410897952998/status/1790009270794162354

https://twitter.com/randomname2617/status/1790002586306654366

https://twitter.com/Sneed3Sneed/status/1790000439330480428

https://twitter.com/MJ_Peterson_69/status/1790007861751242984

https://twitter.com/MantisRe1igiosa/status/1790006808494383291

https://twitter.com/__Rolfy/status/1790024649096483312

Reddit soys are already out with their predictable film-pseud defence "Duuude, this is going to be spectacularly terrible, I'll love it ".

These are the top comments.

Sounds like it has all the ingredients of a cult film, but not a financially successful one

--

Darn these Reviews are all over the place, people who like it are praising it highly, and people who don't are thrashing it.

Sounds like it's gonna be fun love polarizing films

So basically Coppola lost his sanity and made an unmarketable 120 million dollar epic. I'm so hyped!

120 million dollars to create something you truly love that others absolutely hate… That's the dream baby ! Cinema is back !

__

Can't wait. It's either going to be beautiful, or a beautiful disaster. Either way, it sounds worth watching.

__

The reality is even the positive reviews are handling this film with kids gloves. They struggle to articulate what's good about it and are basically going "uhh...this film is ambitious and Coppola(an industry legend) took a lot of risks and we must respect it for that"

Yeah sure

!kino !fellas !anime

Also Hollywood is coming out with a remake

https://variety.com/2024/film/news/warner-bros-black-samurai-yasuke-movie-blitz-bazawule-1235965842/

Two-million chuds to be exact:

https://cosmicbook.news/woke-doctor-who-ncuti-gatwa-loses-over-2-million-viewers

deep breath

Spoilers for a 20 year old TV series & TW for special interest 'tism...

The creator/showrunner/lead writer of Gilmore Girls was Amy Sherman-Palladino (ASP), and she's the main person responsible for the unique cozy vibe and fast-paced, reference-heavy dialogue of the original series. She's also something of a crazy control freak who had a very particular predefined arc in mind for the show, one that would highlight the parallels between Rory and her mother and grandmother, Emily (the 3rd Gilmore Girl). For years fans heard about the mysterious "final 4 words" that she already knew would end the series. She's like the opposite of the GoT showrunners who had no idea how the frick they were going to wrap up the ending.

ASP may be a stubborn b-word but she's a good writer with strong hat game

Except... ASP was forced out after the penultimate sixth season of the original run in a contract dispute with the network, the details of which have always been hazy. Toward the end of the sixth season, ASP added a bunch of zany plots (e.g. Lorelai throwing herself at Rory's deadbeat dad, Christopher) that almost seemed like a vindictive attempt to sabotage the show on her way out the door. The new show runners dumped into the thick of it for the seventh season did their best to tie up all the bizarre loose ends, and in doing so they moved away from the predestined fatalism of ASP's original arc - the theme of which could be loosely summed up as "no matter how you try to run away from it, you always grow up to be your mother."

Spoiled douchbag boyfriend, meet spoiled douchebag dad

For example, ASP always had in mind that Rory's rich, spoiled boyfriend, Logan, would be "her Christopher," a dissolute playboy who toys with her heart, knocks her up, and ultimately abandons her - but during the final season without ASP, the writers moved away from that storyline: Logan becomes estranged from his wealthy family, he has to stand on his own two feet, he exhibits personal growth. By the end of the series, he's ready to commit; he doesn't abandon Rory, he wants to marry her, but she decides she's not ready to settle down so young. The original series ends with Rory Gilmore, a promising young journ*list heading off to Iowa to cover the long-shot presidential campaign of a promising young Senator named Barack Obama.

The seventh season is divisive among fans for a few reasons (the hasty resolution of many of ASP's S6 landmine plots, the dialogue feels kind of off, some new characters are sloppily introduced late in the game) but I think most people enjoyed seeing Logan grow up a bit and the way his relationship with Rory matured. Most people liked the ending, and thought it was fitting to have Rory choose herself and her career over a man. There's a little bit of added millennial nostalgia/wish-fulfillment and serendipity to see Rory climbing onto the Obama campaign bus when we know he's going to win that race. As viewers, we figure Rory is off to a great start with a bright future ahead of her covering a landmark campaign up close.

Go get 'em, Ace!

Then, eight years later, Netflix gave ASP an assload of money to make A Year in the Life and she used it to take a giant shit all over Season Seven. She basically returned to Stars Hollow with the intent to settle old scores and give Gilmore Girls the ending that she knew it had to have: even if it didn't make a darn lick of sense almost a decade later. She has claimed that she has never watched S7, that she doesn't even really consider it canon. She said she had an assistant watch it and take notes for her. In AYITL, she kept one baby born in S7, and threw out almost everything else, determined to tell her version of what season 7 should have been.

Netflix: Buying your childhood to wear as a four-piece skinsuit

Lorelai and Luke (her main love interest/will-they-won't-they) act like newlyweds wrestling with the decision about whether to have kids, even though they've been married for the better part of a decade and Lorelai is pushing 50. Rory is broke, directionless and struggling like a new college grad, not like a woman in her 30s with access to a multimillion dollar trust fund. Logan is instantly back to being a useless frickboi: engaged to a beautiful woman we never see, but carrying on an affair with Rory.

The only good storyline in AYITL centers on Emily coming to terms with the loss of her husband, Richard (Rory's grandfather) and that story was forced on ASP by the real-life death of the actor Edward Herrmann. She had to actually write a new, age-appropriate story for Emily instead of dusting off whatever she wanted to do for S7, and it's so much better for it.

Poor Ed's brain cancer is the real MVP of AYITL

There's a bunch of other minor shit that sucks in AYITL: fat-shaming that feels very early-2000s and out of step with modern culture, lazily retconning certain characters to be gay for added diversity, an unfunny retread of the "Ann? Her?" gag from Arrested Development. But the main reason A Year In The Life is terrible is that ASP was too stubborn to incorporate any of the stories that other writers had given to her characters, so instead of a thoughtful extrapolation of how these characters might have lived and grown or changed over almost ten years, she did S7: ASP's Version. It's 2016, not 2007, but no one has changed at all or learned anything in the meantime.

A Year in the Life ends with the famous "final four words" that ASP had always preordained, even if they no longer make any goddarn sense from a narrative perspective:

"Mom?"

"Yeah?"

"I'm pregnant."

Barely 32 years old and having a bastard with this dude!

Thank you for coming to my TED talk, as a reward for your patience, enjoy this spot-on Mad TV parody:

!kino !bookworms thoughts?

KINO - 8 votes

Slop - 29 votes

Even Marvelcels are like "that's still too much lol".

https://old.reddit.com/r/entertainment/comments/1cmbo49/marvel_will_release_no_more_than_three_movies_and/?sort=controversial

https://old.reddit.com/r/Marvel/comments/1cmfb1a/marvel_will_release_no_more_than_three_movies_and/?sort=controversial

https://old.reddit.com/r/Fauxmoi/comments/1cmbx6i/marvel_will_release_no_more_than_three_movies_and/?sort=controversial

Marvel Will Release No More Than Three Movies and Two Shows Per Year, Bob Iger Says

Disney CEO Bob Iger says the company is shrinking the MCU with a new mission to drop the number of Marvel TV series to two a year and the film output to no more than three movies per year.

Iger said this is part of Disney's overall strategy to reduce output and focus on quality, a strategy “that's particularly true with Marvel.”

“We're slowly going to decrease volume and go to probably about two TV series a year instead of what had become four and reduce our film output from maybe four a year to two, or a maximum of three,” the Disney CEO said during the company's quarterly earnings call Tuesday. “And we're working hard on what that path is.”

Iger says Marvel has “a couple of good films in '25 and then we're heading to more ‘Avengers,' which we're extremely excited about,” adding: “Overall, I feel great about the slate. It's something that I've committed to spending more and more time on. The team is one that I have tremendous confidence in and the IP that we're mining, including all the sequels that we're doing, is second to none.”

The announcement is at odds with the most recent release calendar distributed by Disney, which has four films from Marvel Studios slated for 2025 — “Captain America: Brave New World,” “Thunderbolts,” “The Fantastic Four,” and “Blade” — and four more Marvel movies slated for 2026, including the fifth “Avengers” movie. Marvel is releasing a single film in 2024, “Deadpool & Wolverine.” (Historically, the only time Marvel has released more than three movies in a year was in 2021, after the studio sat out 2020 due to the pandemic: “Black Widow,” “Shang-Chi and the Legend of the Ten Rings,” “Eternals” and “Spider-Man: No Way Home” — the latter of which was a co-production with Sony Pictures.)

On the TV side, Iger says that a portion of the upcoming series, a slate that includes the Kathryn Hahn-led “WandaVision” spinoff “Agatha,” set for release are “a vestige of basically a desire in the past to increase volume.”

While Iger has previously stated plans to reduce Marvel franchise output, he's not previously been this direct in terms of exactly how many titles Disney plans to release for both TV and film each year.

Later in the call, Iger fielded a question about Disney's focus on sequels and originals, noting that the focus is currently more on franchise films: “We're gonna balance sequels with originals. Specifically in animation, we had gone through a period where our original films and animation, both Disney and Pixar, were dominating. We're now swinging back a bit to lean on sequels.”

Iger cited Disney's plans for the next “Toy Story” movie and this summer's release of “Inside Out 2” and said these films have an increased value because known IP costs less to market.

For Marvel, Iger pointed to new movie “Thunderbolts” coming in 2025 alongside sequels “Deadpool & Wolverine” this summer and “Captain America: Brave New World” next year. “It'll just be a balance, which we think is is right,” Iger said.

Sources say Francis Ford Coppola is looking for a distributor that will release “Megalopolis” in the fourth quarter of 2024, where it will mount an awards-season campaign. A24 or another awards-savvy distributor are seen as ideal fits. https://t.co/OSgHihwUVi

— Variety (@Variety) May 15, 2024

The previous versions can be found here.

/tv/ thread where this version was posted for the first time just now

https://boards.4chan.org/tv/thread/199102363#p199117137

!kino !fellas !anime What do we think?